Category Archives: Empowerment

Camina Eddie! MAESTRO EDDIE PALMIERI’S ENDURING VIRTUOSITY AT 80 AND BEYOND

MAESTRO EDDIE PALMIERI’S ENDURING VIRTUOSITY AT 80 AND BEYOND
By Babá António Mondesíre

On March 4, 2017, JAZZ AT LINCOLN CENTER (Frederick P. Rose Hall) presented the second of two performances entitled, EDDIE PALMIERI, CELEBRATING 80 YEARS.

The festivities were divided into two segments: Latin jazz aka “instrumental mambos,” and an “Afro-Caribbean dance-set” of Nuyoricanized Salsa Dura (Hard, solid clave with traditional flavor).

Palmieri opened with a solo-piece dedicated to his late wife, Iraida and continued in “honoring mode” with loving words about Mama Julia, his paternal grandmother, an enslaved African and the source of the rhythmic patterns that are his “life’s pulse.” Also, warm mention of his late elder brother and master musician (pianist) Charlie Palmieri; JALC’S Artistic Director, Wynton Marsalis and the late Frank “Machito” Grillo, Tito Puente and Thelonious Monk, all iconic figures in his musical matrix.

In tune with Ęlégbá and Ifá respectively (Yorùbá – Lukumi cosmic energies of “Opening Roads” and “Universal Wisdom embodied in select Palm Trees) El Maestro performed a savory, laid back rendition of “Palmas,” with the full orchestra. Afterward, he let it be known – with gusto – “This is the greatest band I’ve ever played with!”

Touching moments abounded as Maestro EP paused between tunes to share powerful, reflective anecdotes and oral histories. Might we surmise the transformative power of his growl as he turns painful historical legacies into euphoric compositions? At one point, he noted, with intensity – Spain and Africa produced the “Mulato” (a person of mixed race). Despite the inhumanity that created him, the drum was re-created and brought happiness to the world with El Caribe as the epicenter.”

Borrowing from the historian of Afro-Atlantic Art, Professor Robert Farris Thompson’s thought process, Palmieri “unleashes specifically chosen ostinatos” (montunos/vamps that travel into, “unknown territories, deliberately attempting to capture the divine awkwardness of a world gone mad.”

MR. EP’s personnel included sixteen musicians, including him self, as sixteen is a sacred number with the Yoruba cosmology. In that context, the fraternal order of players “threw down” with universally encoded À ṣ e̩ (ah-shay or aché),  a West African metaphysical thought articulated through Yoruba – Lukumi culture that embraces, “the power to make things happen.”

All the musicians deserve honorable mention but a particular tip of the hat goes to Urban Jibaro/Cosmopolitan Guajiro Jimmy Bosch, whose “trombonic” phrasing and solos are invocations for cause for celebration; Bassist Luques Curtis’s intuitive interplay with Maestro EP’s piano work; authentic sonero Herman Olivera’s heartfelt pregones which honored the elders; masterful Tres work by Don Nelson Gonzalez Camilo Molina’s disciplined, classy approach to the timbales and trap-kit indicate inspiration from Ifá (Yorùbá – Lukumi cosmology). 

In all, there were consistent blasts from the unified brass section; musical warrior angels on trumpets, trombones and saxophones that raised eyebrows as they played in sync with a rock solid rhythm section marinated in signature Palmieri school of “Clave Afincao y Aguanto” (tension and release in 2/3 time, meter structured and controlled).

As the late science-fiction author, Robert Heinlein coined, we (the audience) “GROK” (understand something intuitively or by empathy) the full spectrum of Master EP’s musical messages.

 Music educates……Music empowers……..Music heals……contributes to good mental health………..creates well-being…

At the age of 80, Mr. Palmieri continues to “download” the latest solar sourced inspirations, edify his family, ancestral relations, his elders, his band, and the audience, indicating that he understand the formula. Eddie Palmieri “GROKS” and continues to rock.

CAMINA EDDIE!

Maestro EP’s Fraternal Order this performance: EDDIE PALMIERI, Leader, Piano; BRIAN LYNCH, Trumpet; CHARLIE SEPULVEDA, Trumpet JONATHAN POWELL, Trumpet; JIMMY BOSCH, Trombone; JOSEPH FIEDLER, Trombone ; LOUIS FOUCHE, Alto Saxophone; JEREMY POWELL, Tenor Saxophone; IVAN RENTA, Baritone Saxophone LUQUES CURTIS, Bass; VICENTE “LITTLE JOHNNY” RIVERO, Congas; CAMILO MOLINA, Timbales, Drums; NICHOLAS MARRERO, Bongo, Timbalitos; HERMAN OLIVERA, Lead Vocals; NELSON GONZALEZ, Tres Guitar, Vocals and JOSEPH GONZALEZ, Maracas, Vocals

Words of gratitude to Tomas Pena who invited me  to take his place in reviewing this performance of my music hero of over a half century – El Maestro Eddie Palmieri.  Thanks – Live and prosper, brother!

Tomas Pena’s website:  JazzDeLaPena:  https://jazzdelapena.com

Contained here are links to sample Maestro EP’s work with trimmed down core personnel of JALC’s March 3 + 4 2017 performance. Nothing like live! Enjoy and savor!

Eddie Palmieri – Estival Jazz Lugano 2013
https://www.youtube.com/watch?v=y6CVzxavttY&t=4s

Eddie Palmieri & Afro-Caribbean Jazz All Stars Festival De Jazz Latino Clazz 2013 (by Lucas Vazquez)
https://www.youtube.com/watchv=K1EG4gRN4qo&index=4&list=RDy6CVzxavttY

PHOTOS: Eddie Palmieri, Eddie and Charlie Palmieri by my cousin — Primo! –   Joe Conzo Jr.!

Joe Conzo’s websites:  http://www.joeconzo.com/

Eddie Palmieri’s Website: : http://www.palmierimusic.com

Share

Idea Seeds

The ideas I share are like seeds of majestic trees.

Some seeds fall onto craggily rocks, some are consumed by birds, others are

Blown onto asphalt and concrete in urban zones.

And then…..some fall into rich fertile earth.

That’s the way it is.

I suggest that the seeds I shared be stored in a safe place for future planting.

Share

AFRO LATINO COMPONENT OF BLACK HISTORY ©

FEBRUARY 08,2016
Mapo
It’s “El Barrio” / Spanish Harlem — winter 2016. Two Afro-NuYoRican Brothers — Papo109 and Tumbao Willie — meet and greet on SE corner of 110th Street / Lexington Ave by uptown #6 station. Maturing baby-boomers with clean shaved heads, whitening goatees and sage like swag, they still front adolescent nicknames from back in the day. Slapping five, they stroll down Lex to order lunch in a down home restaurant drenched in “Barrio” flavor. The day’s special: Mofongo, a quintessentially Puerto Rican soul food — fried green plantains crushed in a pilón (wooden mortar and pestle) with fresh garlic cloves, fried pork rinds and sazón criollo / creole seasoning. Mofongo’s etymology: Ki-Kongo / Ba-Kongo of África Centrál — created by enslaved African descended women on Boriquen’s (Puerto Rico’s indigenous name) coastal plantations during “tiempo España’ – Spanish colonial times.

T. Willie laughs and orders Vegan Mofongo sans chicharrón (fried pork skin). “My diet”, he says winking slyly. This is still comfort food for real, Pa. He listens intently as Papo expresses heartfelt sentiment of hard earned pride “de nuestra sangre Africana” (our African blood).

Bro, Black History Month is here, man………Coño, Pa – I’d like to hear, feel and learn of Afro-Latinos in the mix, y’ know what I mean?

T. Willie nods and gestures in “I feel you” concurrence. Papo continues: Yo, It’s beyond conga drums / barríles de bomba (Barrel shaped Bomba drums), dance and jazzed up salsa. And…. its way beyond our athletic prowess!

T. Willie gulps, swallows and interjects laughing,”Yeah mén, b’ball in USA north w/brothers up here and biesból south of Miami with our first and second cousins, Pa!

Papo shaking his head in approval, ”Listen bro, I feel you! Óye….it’s all good, B! It’s in our DNA! But you know what? They missing our stories! At least we use Boricua instead of Puerto Rican – honoring Taino name (Indigenous Arawak nation) of inhabitants of the island Boriquen.

I’d like to hear of our stories and our histories de lo Africano (of our African) in the mix, you know? It’s a spiritual thing, Pa……a spiritual thing.

And, it is about an education thing. Actually, active participants in this “Afro-Latino Matrix” are dedicated educators. Here is a taste / a shortened list – for this article – of just a few Afro-Puerto Rican leaders who have been educators — who have been figuratively “machacando este ajo en el pilón — “crushing these garlic cloves in the wooden mortar for decades — promoting African and Afro-diasporic pride.

In recent conversations:

Dr. Marta Moreno Vega founder of the “ Caribbean Culture Center African Diaspora Institute / CCCADI“ — has been integral in defining an Afro-Latino and a global African Diasporal Consciousness shares: “We have to stand our ground and form a new narratives, frame our own discussions to create new ground that truly reflects our value, our own experiences and our histories.”

Dr. Georgina Falu, Educator and President, Falu Foundation, Spanish Translator of “The Black Man of the Nile and His Family” and other seminal works by Dr. Ben (Yosef Alfredo Antonio Ben-Jochannan) concurs – in the visionary tradition of Arturo Schomburg. She advises that “Afro-Latinos dedicate energies to inform ourselveso of our real history / real heritage…..then, convinced of self-value / worth and of our positive global contributions in many fields — work on our pride of being Afro Descendants”. She continues, “Then organize… demand for economic opportunities, housing, medicine, political participation and education – especially for our children”. She concludes with “become conscious of Africa….Africa wants us to participate in it’s development….we need to visit, invest and work to own resources / build institutions”.

Resonant on this same frequency is Felipe Luciano – poet, community activist, journalist, media personality, politician, founding member of the Original Last Poets and co-founded / chairperson of the New York chapter of the Young Lords – acting as its chair. He has personified with pride and lucidity Afro-Puerto Rican male leadership since the late 60s when it was cognitively dissonant — in many areas — to do so. He emphatically concurs with the aforementioned insights and adds ”we need to create our own that will stand the test of time….institutions / write / produce / sculpt / create our own history……”

It’s clear. There is a buzz in the air. Recent headlines and broadcasts are manifestations. For example, on Friday February 5, 2016, WBAI FM presented Howard Jordan’s “A Jordan Journal Tribute to Afro-Puerto Ricans” where a premium was offered “To coincide with Black heritage month and last year’s designation of the next decade as the “International Decade for People of African Descent”, by the United Nations. This special Tribute to Afro-Puerto Rican heritage encompasses a decade of programs of interviews with Afro-Puerto Ricans legends that have led the struggle for racial justice in and out of African communities.”

Another recent headline – Atlanta Black Star reports “Mexico Officially Recognizes 1.38 Million Afro-Mexicans in the National Census, as Black People Fight against Racism and Invisibility throughout Latin America”. This raises questions: Why now? What classification system determines Afro-Mexican? One drop / two drops? One drop of “white” blood gives some “white privilege”. In USA, it’s the inverse. In that context, might there be an undercount? Is this based on self-identification? What are the benefits of self-identity as Afro-Descendant after centuries of denial and marginalization?

Other examples of trending pivotal conversations and budding narratives being expressed online via Latino Rebels blog:

”Blackface, Brown face and Black Lives Matter in Latin America” and “10 Gregarious Uses of Black Face in Spanish Language Television.

To amplify the buzz, presented here are four possible sources for creating new narratives to frame further conversations:

First possible source: More conversations about the 96 / 4 ratio. Roughly 96% of all kidnapped / enslaved Africans were distributed throughout points south of present day southern border USA. The lion share of those points south were colonial possessions of Iberian Spain and Portugal. Conversely, roughly 4% of kidnapped and enslaved Africans were distributed within USA borders. In a Q&A for his 2011 PBS documentary “Black In Latin America,” Harvard professor Henry Louis Gates Jr. said:

There were 11.2 million Africans that we can count who survived the Middle Passage and landed in the New World, and of that 11.2 million, only 450,000 came to the United States. That’s amazing. All the rest went south of Miami as it were.

Second possible source: More conversations promoting the “Afro Latino Matrix”. Like our two Afro-NuYoRican brothers, deeper, more reflective and healing on-going dialogue expressing visceral and intellectual content is needed. This promotes more opportunities to use concept of “matrix”. Like the 1999 movie, matrix suggests a simulated reality created to control and oppress. Conversely, as is evidence by the evolution of the African-American identity, “matrices” can be created as unsimulated supportive realities to heal, empower and make whole. This is a valuable model / template for emulation for an Afro-Latino matrix.

Third possible source: Creative narratives by Afro-Latinos as an ongoing process — The giant is awakening. The onus is on us. Why wait till Black History month every February? New voices embracing African essence are becoming a more pro-actively assertive. And for good reason.

Fourth possible source: Rising consciousness – across the board. Like the colors of the spectrum – this could have seven levels:

First level: Afro-Latino narratives on social media and blogs influencing mass media. This article is a contribution to this process.

Second level: Acceptance and promotion of an “Afro-Latino matrix” — a reality of viscerally charged / looped collective of sentiments seeking creating expression that contributes positively to the larger diasporic narrative. As an example, Beyoncé audacious surprise release of video ‘Formation’ prior to Super Bowl Performance and her collaborative execution of same with Bruno Mar’s during event’s half time is a clearly working a global matrix with African-American socio-historic and political content intended to jolt and raise consciousness.

Third Level: Process of an identity formation complementary to African-American identity. Key word is complementary. As this author has witnessed and participated in — as a USA born Afro Descendant of Latino heritage, African –American dedication to this process — from colored to Negro to Black to Afro-American to African-American – provides inspiration and is an example of perseverance for Afro-Latinos.

Fourth level: Reinforce these created narratives as antidotes to the psychic and psychological scars from negative portrayal of AfroDesendants by dominant Eurocentric Spanish language media. This process should fulfill a latent demand amongst Afro-Latino/a’s for positive self-images, self-love and acceptance of our common African ancestry. Telemundo’s telenovela seems to be a start with Afro-Boricuas Jeimy Osorio playing the majestic Celia Cruz and Modesto Lacén playing her husband Pedro Knight.

Fifth level: Surface the subverted and withheld historical contributions of Afro-Latinos or Afro Descendants in Latin America.

Sixth level: Nurture what has been planted / what is growing. From Arturo Schomburg to Mario Grillo’s radically named “Machito and his Afro-Cubans” Orquestra in the 1940s to Queenly Celia Cruz — just some heroes who personified pride. More research reveals more of these histories – grist for the narrative mill.

Seventh level: Positive response to the ancestral call – many incarnated Afro Diasporic inspired souls and spirits — regardless of melanin content or traceable percentages of identifiable African ancestry – are responded to this inclusive ancestral call. Beyond color, facial features and hair texture. Souls who came to transgress and live through the Iberophonic side of the Americas – consciously or unconsciously — yearn to learn and to edify our common legacy from “La Mádre” Africa. It’s a spiritual thing.

To conclude, With the aforementioned five sources of missing stories in mind and — like the colors of the spectrum the seven levels of rising consciousness, the time is now for more open conversations and narratives that span the Anglophonic / Iberophonic linguistic divide and the resultant colonial legacies of divergent worldviews.

Now is the time for respectful dialogue to heal the “Post Traumatic Slave Syndrome” – concept coined by Dr. Joyce Degruy — that has produced intensely emotionalized identity dynamics — where “race” vs. “national origin” of African descendants in the Americas is a highly contentious topic.

As the International Decade for People of African Descent progresses until 2024, proposed here is extending this conversation far beyond this and future Black History Months. Madre Africa is calling all of her children to converse, heal and coalesce.

It’s a spiritual thing.

Share